Texts slowly being uploaded to my Medium account @anguscarlyle.
2016 - 2021
“Dissonant Dopplegangers: Performing the Post-Natural Through Modulated Foley Techniques,” with Mark Peter Wright
article in Cadernos de Arte e Antropologia 10 (1), special issue on Antropoceno Sónico – Práticas Sonoras para um Ambiente em Mudança. 2021
“Dropping Down Low: Soundmaps: Critique, Genealogy, Alternatives”
chapter for ed. Michael Bull and Marcel Coubussen, Sonic Methodologies, Bloomsbury, 2021
“Atom Placed The Site (Data is Complete)”
essay for Im-Pressed (3), London Design Week Emergence exhibition, London College of Communication, 2019.
“Before Eternal Silence”
catalogue text for Jani Ruscica, Felt The Moonlight on My Feet, Apparent Extent, Cologne, 2019.
(with Andreas Xyrichis, Anne Marie Rafferty, Jamie Mackrill and John Wynne):
“Noise Pollution in Hospitals: excessive noise is damaging for both patients and staff”
editorial for British Medical Journal 8187, 2018.
“Orang Alijeh / Mountain Ghost”
essay for Im-Pressed (2), London Design Week, Velocities exhibition, London College of Communication, 2018.
"For Trees”
catalogue text for Guy Dickinson “Peripheries”, Kozo Books Journal, 2018.
“Radio Not”
foreword to Alana Pagnutti, Reception: The Radio-Works of Robert Rauschenberg and John Cage, (Smith + Brown: 2018).
“In Bocca Al Lupo”
score, text, image, for Wolf Crossing season at learnedpig.org, 2017
(with Rupert Cox):
“The Cave Mouth and the Giant Voice”
chapter, in eds. Nicholas J Saunders and Paul Cornish Modern Conflict and the Senses (Routledge: 2017).
(with Rupert Cox):
“Air Pressure: A Sound Film”
chapter in eds. Rupert Cox, Andrew Irving and Chris Wright Beyond Text: critical practices and sensory anthropology (MUP: 2016).
“Memories of Memories of Memories of Memories”
chapter, in ed. Bernd Herzogenrath, Sonic Thinking: A Media Philosophy (Bloomsbury: 2016).
A Downland Index
monograph, (uniformbooks: 2016).
2010 – 2015
“All You Monsters”
catalogue text for I, The Thing in the Margins, IMT Gallery, 2015.
"The God's Eye and the Buffalo's Breath"
conference paper in ed. Raquel Castro Invisible Places: Sound Urbanism and Sense of Place, 2015.
“Mountain Stories”
essay for Reliquiae, Vol. 3, 2015.
“Bus Diaries”
catalogue text for Sam Vale, Loop: The Stupid Things That Adults Do, 2015.
“An ABC of Exotica: Recording Corvids Badly (2006 - 2013)”
essay in Less Apparent Horizon, (Mulzimmer, 2015).
"Five Found Files"
essay for Writing Sound 2 at Lydgalleriet, Bergen, Norway, 2014.
“Image Score For A Memory of Utopia (Rushes)”
transcript of live text for film projection, Utopographies, Chelsea College of Art, 2014.
(with Rupert Cox):
“Sky-larks: an exploration of a collaboration between art, anthropology and science”
chapter in ed. Chris Wright and Arnd Schneider, Art and Anthropology (Bloomsbury: 2013).
(with Cathy Lane):
In The Field
monograph, (uniformbooks: 2013).
(with Cathy Lane):
On Listening
edited volume, (uniformbooks: 2013)
“Face as Territory”
catalogue text for Viso Come Territorio (FAP: 2012).
“To Do Lists”
essay in Axel Stockburger Blockbuster (Revolver: 2012).
“From Memory”
essay in Journal of Photographic Culture, 5.2, July 2012.
“A Farm in Toho”
essay and 8 minute audio composition for Sensory Studies web journal, 2012
2006 – 2010
“Earlids and Brainlids: On Thoughts and Sounds”
essay in eds. Monica Parrinder and Colin Davies, Limited Language Rewriting Design: Responding To A Feedback Culture (Birkhauser Architecture: 2009).
“The City Submerged”
article in Hotshoe, June / July, 2009.
“Topologies: Edgar Martins”
article in Hotshoe June / July, 2008.
“Here, There and Everywhere”
article for Anamnese, the digital platform on contemporary art from Portugal between 1993 and 2003, 2008; fragment reprinted in Photography: A User’s Manual (Novo Banco: Documenta, 2016).
“Luci et Silencia: The Groves and Their Silences”
Hotshoe March, 2008.
“Interview With John Wynne and Tim Wainwright”
interview in Transplant, 2008.
“Thought’s Night Sky: Interview With Edgar Martins”
interview in Topologies: Edgar Martins (CAV: 2007).
“Sounds from Dangerous Places: Peter Cusack”
interview, Soundscape: The Journal of Acoustic Ecology, Fall / Winter 2007.
“If You Were To Clap. If I Were To Listen”
text for Signal exhibition catalogue, 2007.
“Our Memories of Snow”
article for Hotshoe, October 2007.
“Forest Fire”
article for Anamnese, the digital platform on contemporary art from Portugal between 1993 and 2003, May 2007.
Autumn Leaves: Sound and Environment in Artistic Practice
edited volume, (Double Entendre: 2007)
“The End of Music: Ten Memories of Movement and Rest”
catalogue text in Einar Hansen, The Fog Will Clear, The Snow Will Melt, 2006.
“Like Quails Clucking: Landscape and Positive Soundscapes”
conference paper in eds. Tadahiko Imada, Keiko Torigoe, Kozo Hiramatsu et al. The West Meets the East in Acoustic Ecology, 2006.
“The Damaged Pastoral: The Work of Edgar Martins”
catalogue text, (CAV: 2006).
1994 – 2005
“Becoming Second Nature”
essay in ed. David Chandler Dan Holdsworth (Steidl: 2005).
“Do Not Linger On Desolate Ground”
article in Hotshoe, May 2005.
“The Rubbish Collector”
article in Hotshoe, November, 2004.
“The Gift of Sound: Jacques Attali”
interview in Vibro, November 2004.
“The Eyes Have It”
article in Eyemazing, Fall 2004.
“The Reluctant Sitter”
article in Hotshoe, August 2004.
(with Kristian Buus):
“Spinning Around”
article in Documentography.com, Issue 7, June 2004.
“In Search of the North-West Passage: The Suicide of Guy Debord”
essay in ed. Namida King, Straight To Hell, Twentieth Century Suicides (Creation Books: 2004).
“Truckworld”
essay in ed. Anthony Hoate, ROAM: Reader in the Aesthetics of Mobility (Black Dog Press: 2004).
“The Stars Came Down to Earth” (in German)
liner notes for Top Hit Leicht Gemacht, January 2003.
"Transience"
article in The Wire, March, 2001.
"I See A Darkness"
essay in ed. Edgar Martins, Black Holes and Other Inconsistencies (2003).
"Dan Holdsworth"
essay in Beck's Futures2 exhibition catalogue (ICA: 2001).
"Below Ground”
essay in eds. Ally Ireson and Nick Barley, City Levels (August Birkhauser: 2000).
“Prosthetic Territories and Hypertechnologies”
book review in Political Studies; Volume 45 (1) (1997).
“united states”
book review in Political Studies Volume 44 (4) (1996).
“The Political Theory of Poststructuralist Anarchism”
book review in Political Studies Volume 44 (1) (1996).
(with Sadie Plant, Mark Fisher & Nick Land):
"Swarmachines"
essay in Abstract Culture (1996); in eds. Andrew Hussey and Gavin Bowd The Hacienda Must Be Built: On The Legacy of the Situationist Revolt (Aura: 1996); in ed. Robin McKay, #Accelerate: The Accelerationist Reader (Urbanomic / Merve: 2014).
“Barking up the Wrong Tree: The State of Political Theory”
in ed. Rohit Lekhi The State of the Academy: New Reflections on Political Studies (Network: 1994).
“Cages, Chains, Locks and Keys: Michel Foucault’s General Theory of Subjectivity”
essay for Political Studies Association Working Paper (PSA: 1994).
“Dissonant Dopplegangers: Performing the Post-Natural Through Modulated Foley Techniques,” with Mark Peter Wright
article in Cadernos de Arte e Antropologia 10 (1), special issue on Antropoceno Sónico – Práticas Sonoras para um Ambiente em Mudança. 2021
“Dropping Down Low: Soundmaps: Critique, Genealogy, Alternatives”
chapter for ed. Michael Bull and Marcel Coubussen, Sonic Methodologies, Bloomsbury, 2021
“Atom Placed The Site (Data is Complete)”
essay for Im-Pressed (3), London Design Week Emergence exhibition, London College of Communication, 2019.
“Before Eternal Silence”
catalogue text for Jani Ruscica, Felt The Moonlight on My Feet, Apparent Extent, Cologne, 2019.
(with Andreas Xyrichis, Anne Marie Rafferty, Jamie Mackrill and John Wynne):
“Noise Pollution in Hospitals: excessive noise is damaging for both patients and staff”
editorial for British Medical Journal 8187, 2018.
“Orang Alijeh / Mountain Ghost”
essay for Im-Pressed (2), London Design Week, Velocities exhibition, London College of Communication, 2018.
"For Trees”
catalogue text for Guy Dickinson “Peripheries”, Kozo Books Journal, 2018.
“Radio Not”
foreword to Alana Pagnutti, Reception: The Radio-Works of Robert Rauschenberg and John Cage, (Smith + Brown: 2018).
“In Bocca Al Lupo”
score, text, image, for Wolf Crossing season at learnedpig.org, 2017
(with Rupert Cox):
“The Cave Mouth and the Giant Voice”
chapter, in eds. Nicholas J Saunders and Paul Cornish Modern Conflict and the Senses (Routledge: 2017).
(with Rupert Cox):
“Air Pressure: A Sound Film”
chapter in eds. Rupert Cox, Andrew Irving and Chris Wright Beyond Text: critical practices and sensory anthropology (MUP: 2016).
“Memories of Memories of Memories of Memories”
chapter, in ed. Bernd Herzogenrath, Sonic Thinking: A Media Philosophy (Bloomsbury: 2016).
A Downland Index
monograph, (uniformbooks: 2016).
2010 – 2015
“All You Monsters”
catalogue text for I, The Thing in the Margins, IMT Gallery, 2015.
"The God's Eye and the Buffalo's Breath"
conference paper in ed. Raquel Castro Invisible Places: Sound Urbanism and Sense of Place, 2015.
“Mountain Stories”
essay for Reliquiae, Vol. 3, 2015.
“Bus Diaries”
catalogue text for Sam Vale, Loop: The Stupid Things That Adults Do, 2015.
“An ABC of Exotica: Recording Corvids Badly (2006 - 2013)”
essay in Less Apparent Horizon, (Mulzimmer, 2015).
"Five Found Files"
essay for Writing Sound 2 at Lydgalleriet, Bergen, Norway, 2014.
“Image Score For A Memory of Utopia (Rushes)”
transcript of live text for film projection, Utopographies, Chelsea College of Art, 2014.
(with Rupert Cox):
“Sky-larks: an exploration of a collaboration between art, anthropology and science”
chapter in ed. Chris Wright and Arnd Schneider, Art and Anthropology (Bloomsbury: 2013).
(with Cathy Lane):
In The Field
monograph, (uniformbooks: 2013).
(with Cathy Lane):
On Listening
edited volume, (uniformbooks: 2013)
“Face as Territory”
catalogue text for Viso Come Territorio (FAP: 2012).
“To Do Lists”
essay in Axel Stockburger Blockbuster (Revolver: 2012).
“From Memory”
essay in Journal of Photographic Culture, 5.2, July 2012.
“A Farm in Toho”
essay and 8 minute audio composition for Sensory Studies web journal, 2012
2006 – 2010
“Earlids and Brainlids: On Thoughts and Sounds”
essay in eds. Monica Parrinder and Colin Davies, Limited Language Rewriting Design: Responding To A Feedback Culture (Birkhauser Architecture: 2009).
“The City Submerged”
article in Hotshoe, June / July, 2009.
“Topologies: Edgar Martins”
article in Hotshoe June / July, 2008.
“Here, There and Everywhere”
article for Anamnese, the digital platform on contemporary art from Portugal between 1993 and 2003, 2008; fragment reprinted in Photography: A User’s Manual (Novo Banco: Documenta, 2016).
“Luci et Silencia: The Groves and Their Silences”
Hotshoe March, 2008.
“Interview With John Wynne and Tim Wainwright”
interview in Transplant, 2008.
“Thought’s Night Sky: Interview With Edgar Martins”
interview in Topologies: Edgar Martins (CAV: 2007).
“Sounds from Dangerous Places: Peter Cusack”
interview, Soundscape: The Journal of Acoustic Ecology, Fall / Winter 2007.
“If You Were To Clap. If I Were To Listen”
text for Signal exhibition catalogue, 2007.
“Our Memories of Snow”
article for Hotshoe, October 2007.
“Forest Fire”
article for Anamnese, the digital platform on contemporary art from Portugal between 1993 and 2003, May 2007.
Autumn Leaves: Sound and Environment in Artistic Practice
edited volume, (Double Entendre: 2007)
“The End of Music: Ten Memories of Movement and Rest”
catalogue text in Einar Hansen, The Fog Will Clear, The Snow Will Melt, 2006.
“Like Quails Clucking: Landscape and Positive Soundscapes”
conference paper in eds. Tadahiko Imada, Keiko Torigoe, Kozo Hiramatsu et al. The West Meets the East in Acoustic Ecology, 2006.
“The Damaged Pastoral: The Work of Edgar Martins”
catalogue text, (CAV: 2006).
1994 – 2005
“Becoming Second Nature”
essay in ed. David Chandler Dan Holdsworth (Steidl: 2005).
“Do Not Linger On Desolate Ground”
article in Hotshoe, May 2005.
“The Rubbish Collector”
article in Hotshoe, November, 2004.
“The Gift of Sound: Jacques Attali”
interview in Vibro, November 2004.
“The Eyes Have It”
article in Eyemazing, Fall 2004.
“The Reluctant Sitter”
article in Hotshoe, August 2004.
(with Kristian Buus):
“Spinning Around”
article in Documentography.com, Issue 7, June 2004.
“In Search of the North-West Passage: The Suicide of Guy Debord”
essay in ed. Namida King, Straight To Hell, Twentieth Century Suicides (Creation Books: 2004).
“Truckworld”
essay in ed. Anthony Hoate, ROAM: Reader in the Aesthetics of Mobility (Black Dog Press: 2004).
“The Stars Came Down to Earth” (in German)
liner notes for Top Hit Leicht Gemacht, January 2003.
"Transience"
article in The Wire, March, 2001.
"I See A Darkness"
essay in ed. Edgar Martins, Black Holes and Other Inconsistencies (2003).
"Dan Holdsworth"
essay in Beck's Futures2 exhibition catalogue (ICA: 2001).
"Below Ground”
essay in eds. Ally Ireson and Nick Barley, City Levels (August Birkhauser: 2000).
“Prosthetic Territories and Hypertechnologies”
book review in Political Studies; Volume 45 (1) (1997).
“united states”
book review in Political Studies Volume 44 (4) (1996).
“The Political Theory of Poststructuralist Anarchism”
book review in Political Studies Volume 44 (1) (1996).
(with Sadie Plant, Mark Fisher & Nick Land):
"Swarmachines"
essay in Abstract Culture (1996); in eds. Andrew Hussey and Gavin Bowd The Hacienda Must Be Built: On The Legacy of the Situationist Revolt (Aura: 1996); in ed. Robin McKay, #Accelerate: The Accelerationist Reader (Urbanomic / Merve: 2014).
“Barking up the Wrong Tree: The State of Political Theory”
in ed. Rohit Lekhi The State of the Academy: New Reflections on Political Studies (Network: 1994).
“Cages, Chains, Locks and Keys: Michel Foucault’s General Theory of Subjectivity”
essay for Political Studies Association Working Paper (PSA: 1994).