Mark Peter Wright and I contributed to this event at the Wellcome Trust that was curated by poet, film programmer and geographer Amy Cutler. The event was part of a weekend at the museum devoted to "Remaking Nature". Our performed lecture navigated the themes of Foley, decoys, agency, non-human rights and camouflage, deploying sound, spoken word and costume. As the names on the poster above promise there were some excellent contributions across the long afternoon.
A chapter written by myself and Rupert Cox has been published in the Modern Conflict and the Senses volume edited by Nicholas J. Saunders and Paul Cornish. There are some very interesting looking articles in the rest of the book. Our text is about our research work in Okinawa that is being conducted under the rubric of "Zawawa" (a local onomatopoeic word that describes the sound of sugar can leaves rustling in the wind, a word with strong associations of the war that frequently appears in popular song). In particular we are focusing on our film "The Cave Mouth and The Giant Voice."
"Into The Outside", the film made by myself and Chiara Caterina has had two more screenings, both times as contributions to two new group shows. It was shown as part of "Connecting Columns," an exhibition curated by Cathy Lane and Lisa Hall at the Srishti Outpost at Mill Hall, a Collateral Venue at the Kochi-Muziris Biennale from March 1st to March 10th, 2017.
It was also shown in the exhibition "Ego et Eco: Individualismo e Coscienza Ecologica" at Palazzo Delle Arti Napoli from 22nd of April til 29th of April, 2017. This time, the film was projected at epic scale in a darkened room in the gallery. The opening of this exhibition was scheduled to coincide with Earth Day and with the launch of Simone Ciglia's fascinating book "Il Campo Espanso."