"Everything Looks Different in the Dark" is a pretty amazing review by Anneka French of Fleur Olby's "Velvet Black" and my "Night Blooms" from a recent issue of Photomonitor. I've loved "Photomonitor" for the ten years of so since I first came across it so this is a real treat.
Fleur Olby’s ‘Velvet Black’ (2018) and Angus Carlyle’s ‘Night Blooms’ (2020) contain photographs of flowers and other natural phenomena in darkness. The two small publications share mutual interests in the beauty and escapism that nature often provides, something that is especially critical at times of crisis. Indeed, Camden Art Centre’s current high-profile online exhibition ‘The Botanical Mind’ and recent articles in Apollo and Elephant magazines have highlighted this need, offering screen-based botanical experiences from home. ‘Night Blooms’ and ‘Velvet Black’ draw out other facets of this relationship with nature, one that is complicated as we continue to interfere, ever struggling to get to grips with nature’s rhythms and its chaos. Explored explicitly in Carlyle’s book through photographs taken in fleeting snatches on solitary runs, this relationship is more subtly alluded to in Olby’s via staged floral still-lives.